Everyone is filming.
No one is directing.

At every concert, game, and service, hundreds of phones are already recording the same moment from every angle. That footage stays trapped on individual phones. The live story gets told from one shaky, fixed point of view.

• Pro multi-camera means gear, software, and a crew. Out of reach for most.
• Existing phone apps (Switcher, Mevo, ManyCam) assume one operator owns every camera and sets them up in advance.
• No tool lets independent people in the same place pool their phones into one live, switchable broadcast.

One session.
Every angle. Switched live.

MixStreamLive is a mobile app where one person starts a live stream and anyone nearby can join as an extra camera. The director sees every feed, previews any angle, and cuts the broadcast between them in real time.

Preview. Take live.
Let the crowd in.

Quality first,
by design.

A short broadcast delay lets each camera upload full-quality footage before it airs, so every switch is clean and crisp, never the degraded feed of a raw real-time cut.

The organizer hosts.
The crowd follows.

The feature that drives growth: an Official Event. The rights holder, a church media team or an artist’s tour crew, starts the verified session. That anchor gives the whole crowd one place to point their cameras and a reason everyone wants to be on it.

Proven at scale.
Proven every week.

Together they tell the whole story: it works at scale and it works every week.

For everyone who
can’t afford a crew.

The same feature that powers concerts solves a real problem for organizations that have events worth capturing but no budget for video production. The audience becomes the camera crew.

The one thing
no one else does.

The switching technology is proven, which de-risks the build. Our moat is the social model on top of it: location-based discovery, request-to-join, and organizer-controlled crowd coverage.

Three gates between
the crowd and the screen.

When strangers can contribute cameras, control is everything, and it’s exactly what we give the host. Nothing reaches the audience by accident.

Hosts set their own risk level, from loose at a concert to a locked-down mode for worship where nothing airs without confirmation. Tools, not guarantees: event and contributor responsibilities are defined in the terms of service.

Watch in-app.
Publish to YouTube.

Live happens inside MixStreamLive, which keeps the audience and the value with us. YouTube is the bridge to where organizations already live, their own channels, their own congregations and fanbases.

YouTube is the launch target because it openly supports third-party streaming, suits long-form live events, and is free for viewers. Other platforms can follow. Current platform terms to be verified at build time.

A global layer for
live experiences.

Not one market, many, on every continent. Each is a deep-pocketed buyer for whom crowd-camera coverage is a brand-new product line.

The venue screen
recruits the crowd.

Events put the live crowd feed on their own screens, the way NBA and MLB teams already run fan-cams and jumbotron moments. Fans see someone’s angle on the big screen with their name on it, and want to be next. That desire is the download.

Two wins at once: it drives downloads fast at every event, and it gives the venue visible value for their license, in-arena fan engagement they already pay for elsewhere. On-screen identity is opt-in at join, and the host’s safety controls govern what reaches the screen.

Cash-efficient
by design.

Enterprise clients pay real money up front, often yearly, which funds the team that serves them. Infrastructure is rented and scales with paid usage. The honest pressure point: enterprise sales lag, so an anchor client paying early, or a small bridge, smooths Year 1.